The Justice League edition, "Volume XII," was of particular interest to me. Part of the core premise for "my" universe was that the JLA had been killed in a Boom Tube incident during a major conflict between Apokolips and New Genesis. Since the demise of the League was the tipping point for all the circumstances in my meta-narrative, the arrival of a new League twelve volumes in would presumably be a big deal. In one of the few moments of planning well in advance, I knew that I wanted to deny a typical changing of the guard member rotation. The roster has been reshuffled so many times for real that doing it on something with no rules lacked ambition. I felt like you had to do something dynamic with the premise, as well. I didn't even want to have a book with the title of "Justice League." While I semi-backslid on both of those plans, with The Satellite League being a revival of the Bronze Age interpretation of the JLA, and feeling the need to expand on the '90s Extreme Justice title to include the word "League," but I'm still happy with the twists I have in mind.
In the case of "Justice League Extreme," I hit on the notion that if I was going to replace the JLA, why not literally staff the team with infamous replacements of the classic League from "The Dark Age of Comics?" To my knowledge, it had never been done before, despite most of these temporary stand-ins being active around the same time in the early-to-mid nineties. That was actually the foreseeable problem, because many of these characters were tied to specific storylines and periods, often bearing temporary looks, rarely drawn by the same artists or together. I could copy and paste preexisting images into a Chromium Colorforms group shot, but in the hyperstylized EXTREME '90s they would obviously be visually at odds, unnaturally posed, and require tons of reference/paint work. Thanks to the pandemic, I haven't gotten many art commissions over the past two years, and thanks to my paranoia, I'd rather not have any shipped to my home by mail. I'd considered fully digital art in the past, and this seemed like a perfect opportunity to explore that avenue on a project where the lack of physical art would be beneficial. No way could I get a quality seven-figure drawing from one artist over a convention weekend for a reasonable price. In digital, with a reasonable time frame, at an agreeable per-negotiated rate, would be vastly preferable.
Unfortunately, being a jackass, I lollygagged for at least half a year between realizing what I wanted to do and actively pursuing it. Via an online service, I browsed through dozens of available artists, but the clear favorite for this project was Brad Green. Not to be cutting, but the only people still drawing in a "90's style" were either period superstars with outrageous quotes or, y'know, objectively bad at art. I wanted a modern (also good) artist who could evoke the excitement of the nineties and render all those (literally) edgy looks, but without turning it into a pastiche. I also wanted someone with the aesthetic of American super-hero work, who could juggle seven figures in kinetic poses that could look like a legitimate offering from a major publisher in 2021. Brad Green was my only choice that checked every single box, and the only artist I contacted, so I'm really glad that he was game.
Among the four Supermen that arrived after "Doomsday," Steel had been a part of the Morrison/Porter JLA alongside the electric blue Superman, while The Eradicator was in the Outsiders. Cyborg Superman was revealed almost immediately to be evil, so the only team he ever joined was the Sinestro Corps. "The Metropolis Kid" grew into the Post-Crisis Superboy for over 100 solo issues and serving on numerous teen teams. Eradicator felt the most appropriate for the theme here, but I'd forgotten about the plan when I abused and disposed of him earlier on. It worked out though, because no one character could encompass "Reign of the Superman," so I now had an excuse to do a mash-up of most of them, with a New 52 spin to boot. "Do Eradicator but make him Cyborg" is a pretty lousy bit of art direction, but Green killed it with the mingled elements and the cool exagerated arm (then topped himself with the glowing energy effect.)
Green Lantern was the easiest choice for this piece. I could have reached from some obscurity out of the quarterly anthology, or brought back Warrior, but in truth Kyle Rayner was the most successful '90s replacement. He revitalized the franchise and was its champion for over a decade, until DC seemingly sabotaged him in pursuit of restoring Hal Jordan after thoroughly assassinating his character. While the subject of some fan debate, I personally love Rayner's original Darryl Banks design, but I understand that many hate it and find it hard to draw. Brad Green had no such issues, at least from my view of his results. Sadly, I'd forgotten about having written a first draft of the "Extreme Justice" copy with Kyle as the Omega Lantern, to acknowledge the modern White Lantern trajectory of the character. The design still sings, but more so with the green, and I was a jerk for asking Green to change the colors after he'd already done the flats. He still made it work though, and even added a neat energy effect.
Dark Flash was the toughest choice for this piece. Wally West was the earliest replacement out of the gate, in the '80s, and was a conservative standard-bearer. Nothing much "extreme" about that. Wally had been replaced by Bart Allen, but that was a blip, and then again by Barry Allen, the guy he had himself replaced. All wore the same essential costume. I toyed with using minor future Flash John Fox, but his suit is hideous, and he was as much of an uninspiring reach as my other candidates. I finally landed on the short-lived grimdark alternate future Walter West, who at least looked good, though his stint had negligible impact in comparison to these near-contemporaries. Smartly, Brad Green focused a lot of attention on the Scarlet Speedster, from his foreground positioning in a "flashy" running pose to his determined expression and probably the heaviest concentration of rad crosshatching of any hero. Would could have been a (forgive me) also-ran is instead a highlight of the piece.
Brad Green could have stopped work at several points in this process and I would have been perfectly content with the result. There was a finished "pencils" stage with a lot of rough energy squiggles and loose cape outlines that already exceeded my best hopes going in. The figures were already extremely well balanced, detailed and numerous without feeling crowded or static. Green wasn't satisfied though, redrawning Artemis from scratch, one draft leaving her hair and costume details in blue-line sketch form. That one was then "inked" into a final draft with a digital background, and I was done. No further work needed. I'm happy. Another time, all the colors were flats and Kyle Rayner was still a Green Lantern. I still feel bad asking him to change that so late in the game, but he made it work regardless. We ran out of time and I tweeted and linked to a version that still had some flats as the version married to the "blurb" posting. Again, I was done, and said so, but the artist wasn't. He added more tones, muted the debris to emphasize the figures, added energy effects... he just kept at it until he had a piece that DC should be so lucky as to publish themselves. I hope he runs off some prints to sell at shows. I'd buy one even if I hadn't had a hand in its creation. These results are absolutely glorious, I'm bowled over by how excellently this turned out, and it was an absolute steal to boot. I'm so giddy with this piece that I want to do more in digital for this project. For variety, I'll probably try out some different artists and approaches, but I'll actively seek out more opportunities to work with Green again. I doubt I'll ever come up with anything else this demanding, but I don't need to in order to appreciate the pleasures of his style and careful craftsmanship. I can't recommend him highly enough for your own prospective commissions!
“Justice League Extreme #1” by Brad Green
- Comic Art Commissions.com
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- Deviant Art
- Bloodwynd @ The Idol-Head of Diabolu
- Aquaman & Batman @ Justice League Detroit
- Artemis @ Diana Prince is the New Wonder Woman







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Hal Jordan waxed philosophical about his foe Sinestro while providing narration for this issue. "Thanks to Sinestro, I was given a taste of what it would be like to rule everything. Thanks to my enemy, I will now never become anything like him... I don't need to be the greatest anything anymore. I just want to help my friends. And my world." I'm not sure if that was meant as a rebuttal against "Emerald Twilight" or if it reinforced it. All in all, it would really only take another random blow to the head to send Hal off in any given direction anyway.
The big siege progressed. Metallo tore apart Platinum while the Man of Lead continued fighting Black Adam. Parasite decided that he needed to "end this," so he grabbed Adam's foot to steal his powers, then swiped the kryptonite heart out of Metallo. Bizarro was grappling with the Man of Lead, affording Parasite the opportunity to rip through "Superman's suit" to discover Lead had actually helped to conceal Captain Marvel. The power of Shazam slammed Bizarro into Parasite, then the Big Red Cheese gave Hal Jordan the order. Iron's armor over Jordan had concealed the fact that Hal was wielding Sinestro's lost spare yellow power ring (that had been lent to Grodd but stolen by Metamorpho) through a filter of blue kryptonite. The blue K immediately took out Bizarro, while Captain Marvel crushed the piece of green K Metallo thrived on.
Ross had fixed the incorrect Platinum symbol on Plastic Man's armor to shift it to Tin, but it was never explained how Gold could pretend to be Green Arrow and cover Superman at the same time. Anyway, the shiny gold mummy quasi-Shazam Superman was attacked by the Parasite. Black Adam thought Captain Marvel liked seeing him weakened, but Billy was too innocent to enjoy another's suffering, though he was willing to choke Adam until he said the magic word. The ensuing lightning bolt conveniently struck Parasite on its way to removing Adam's powers. Plastic Man contained the Riddler in his fleshy mass while Tin (absent his familiar stutter) separated to cage Parasite. It seemed from his demonstrated pomposity that Ross and company had confused Tin with Mercury, who the Flash was still wearing, at least until he was used to gag Teth-Adam.
Green Arrow had delivered Hal Jordan's power ring to John Stewart, who by the spoken narrative grace of Jordan had been allowed access to Hal's incredible power as Green Lantern to free the teenage super-heroes from the control of Brainiac's nanotechnological worms. The same tech briefly retook the Leaguers made vulnerable by their release from the Metal Men "armor," but John Stewart promptly liberated them. Hal Jordan is so awesome for allowing his Negro acquaintance to save the day (but not allowing him any lines of his own, heaven forbidding such impropriety.)
Yellow Lantern Hal Jordan continued to match Sinestro with the same type of power ring, openly acknowledging that should he falter, John Stewart and the Justice League would surely avenge him. In response, Sinestro offered the scintillating bon mot "Shut up. Shut Up. Shut-the-hell-up!" Does Korugar even have a concept of Hell? When in doubt while writing Green Lantern dialogue, always try to hear Nathan Fillion saying Hal lines and Vincent Price saying Sinestro ones. Jordan and Sinestro tapped out their power source and switched up to mano-a-mano. Jordan beat Sinestro bloody, claiming that it was not vengeance he sought, but justice. Then both men fell through the top of a black city-sphere, and John Stewart apparently laughed off-panel as he returned Jordan's power ring so he could save himself and Sinestro.
The villains present on the main scene were either shut down by force or through the disabling of Brainiac's influence. That left the previously hostage supporting casts to mingle with their heroes, or in John Stewart's case, to get stuck with Tom "Pieface" Kalmaku, Carol Ferris, and Hal's brothers. The Flash and Iris West had a sweet if inhibited WASP pseudo-embrace, while Superman and Lois Lane had a big ol' sloppy wet P.D.A. Supergirl looked on from a distance as Lana Lang and Jimmy Olsen milled about. Captain Marvel was oddly separated from Mary and Junior, preferring Zatanna's company (though who wouldn't?) Rita Farr held Robotman's brutally battered severed head.
The Super Friends followed Brainiac to Toyman's world, where Superman took the fight deep into the heart while everyone else tore apart duplicates of Brainiac in a somehow self-serious spread. Zatanna then teleported everyone but Superman to Scarecrow's creepy 19th century European faux city, though Green Lantern proved capable of taking it all on his own. The Indian girl from last issue was there, and her hands were already starting to hurt...
"Chapter Eleven" was plotted and painted by Alex Ross. The script was provided by Jim Krueger, and the penciled layouts by Doug Braithwaite. After wasting all those early issues on individual attacks and a couple on the back end on big fights, these guys are having a heck of a time trying to tie the plot threads together. At least Elasti-Girl is consistently prominent in the crowd scenes, thanks to her stature.
Continue the story through these character-specific posts:

Platinum (Again? Spread thin?) and Gold pretended to cover Green Arrow and Black Canary, but that duo was secretly teleported into a sewer tunnel by Zatanna. Once there, they were attacked by Clayface (again,) who was contained by Green Arrow's "shadow," Elongated Man. Once the deception was detected, Gold and Platinum tangled with Parasite and Metallo, 'Tina ending up worse for wear. Superman knocked Toyman about while keeping a choke hold on Bizarro, but then Lead taunted Solomon Grundy and Kal-El took the brunt of the resultant punishment.
Green Arrow insisted that Black Canary save her sonic powers for a planned moment of truth, but once the pair located the supporting cast hostages, Ollie was left to deal with the possessed Supergirl. Dinah argued against Ollie firing a kryptonite arrow at the Maid of Might, a discussion super-hearing easily allowed Kara to act upon. Supergirl dodged the arrow, which struck John Stewart in the chest. As it turned out, all went according to plan, since the arrow actually had a power ring on its tip. Green Lantern declared "You're not killing any super-heroes today, Supergirl. You're going to help us save the world. Just like always.
"Chapter Ten" was plotted and painted by Alex Ross. The script was provided by Jim Krueger, and the penciled layouts by Doug Braithwaite.
Continue the story through these character-specific posts:
































