Showing posts with label Blackhawk. Show all posts
Showing posts with label Blackhawk. Show all posts

Wednesday, September 22, 2021

DC Special Podcast: DK Encyclopedia Diaries 8

Volume VIII
The Drunken Guide To The Characters Of The DC Universe

To permanently save this episode’s MP3 file to your computer or other listening devices, right-click the link below to bring up sub-menu and select “Save Target/Link As…” Pick where you want it to save to, and you’re set.

Download MP3


Rolled Spine Podcasts are on iTunes, Stitcher Radio, ShoutEngine and the Internet Archive.

Coarse Language: Listener Discretion is Advised


A
Arkham Asylum / Mr. Zsasz 1
The Atom (Golden Age) 9
The Atom (Silver Age) 3
The Atom (Modern Age) 26
Atomica 27
The Combine 11
Haywire (Steven Majorski)15
White Lotus 18


We Think You're Special!

New 52, DC Comics Encyclopedia, DC Special Podcast, Al Pratt, The Atom, The Flash, Haywire, Mr. Zsasz, Ray Palmer, Rhonda Pineda, Ryan Choi, Victor Zsasz, White Lotus

Wednesday, June 16, 2021

DC Special Podcast: DK Encyclopedia Diaries 7

Volume V
The Drunken Guide To The Characters Of The DC Universe

To permanently save this episode’s MP3 file to your computer or other listening devices, right-click the link below to bring up sub-menu and select “Save Target/Link As…” Pick where you want it to save to, and you’re set.

Download MP3


Rolled Spine Podcasts are on iTunes, Stitcher Radio, ShoutEngine and the Internet Archive.

Coarse Language: Listener Discretion is Advised


B
Baron Bedlam 2
Bizarro 8
Black Alice 10
Black Canary 11
Black Condor 23
Blackhawk (Bart Hawk) 29


We Think You're Special!

New 52, DC Comics Encyclopedia, DC Special Podcast, Podcast, New 52, DC You, Zero Hour, Black Canary, Bizarro, Plastic Man, Golden Age, Blackhawk

Sunday, August 21, 2011

The Top 20 Blackhawk Covers (and lots more!)

This year marks Blackhawk's 70th anniversary, which I was sure would receive the same fanfare as the Martian Manhunter's 50th, which was to say none whatsoever. Color me surprised that DC will be launching an all new series, albeit one that seems to bear little similarity to the original, with a last minute change in writer, and three different artists for each of the first three issues.

Blackhawk was Quality Comics' flagship title, and the only one to not only continue publication after the company's demise, but to do so without missing an issue. While Chop-Chop immediately looked more like an actual human being with the shift to DC, there was little else different from a scan of the covers. I suspect that's the problem, because Blackhawk has fought a losing battle with relevancy since the 1950s. When the changes did come, they were breakneck in just about every sense of the word.

I've looked over nearly 500 covers for this countdown, and where it might normally be an intimidating proposition to boil that down to a top twenty, not so much here. There's a lot of samey-samey, to the point where I suspect Blackhawk was an unsung pioneer of swiping. I'll elaborate as we progress, but first...

Top 5 Dishonorable Discharges

Military Comics #4 (November, 1941)

Many of the early Blackhawk covers were poorly designed, whether it be static boxes for multiple features, cheesy side advertisements, overcrowding, excess negative space, or just plain bad work. The above image would emphasize the latter, as men buried to their necks in ant mounds or otherwise heinously tortured should not come across as comical. This looks more like a leatherboy fetish magazine involving radio controlled toy planes on kamikaze runs into caves.

Military Comics #15 (January, 1943)

It might have gotten confusing if a group with the Blackhawk Squadron's fashion sense had regularly fought the gestapo, but that never proved to be an issue. You see, all throughout World War II, they specialized in combat with yellow-skinned nips, so it was easy to tell them buck-toothed, swell-headed Japs were the enemy. Revisionist history usually pits heroes like Captain America and Wonder Woman exclusively against ze Germans, but it's hard to get away from Blackhawk as being one of the finest propagators of grotesquely racist Asian caricatures in mainstream comics.

Military Comics #30 (July, 1944)

Don't go thinking the Blackhawks were all about blasting slant-eyes! Why, they had one of the finest chinks alive acting as their cook/mascot throughout the war! Sure he only stood about three feet tall, had a grin bigger than his legs, had hair like a pinhead, ears that had to be factored into wind drag during flights, and perpetually carried a meat cleaver around, but he was so colorful! Sad to say, but the 'hawks' Chinese ally was probably the most prominent and positive Asian hero on period comic covers. He sure stood out in that sea of dark leather, and even if he didn't, he was often isolated/spotlighted amongst the group. Chop-Chop was certainly more memorable than most of the Squadron.

Blackhawk #230 (March, 1967)

In 1964, the Blackhawk Squadron traded their matching leather outfits for matching green tights and red pirate shirts. Three years later, they sunk even lower. After three issues of build-up, the Blackhawks became the single worst super-hero team in history, "The Junk Heap Heroes." "M'sieu Machine" runs around in a beret with a toolbelt slung like a bandoleer. Olaf Friedriksen, the team strongman, dresses up like a dildo as "The Leaper." Chop-Chop's chop-sokey affords him metal kung-fu grip hands. Chuck wears a costume covered in earlobes without it in any way meaning to relate to Vietnam atrocities. Blackhawk uses "dig" in its informal sense. The horror! The horror!

The New Blackhawk #244 (February, 1976)

No lesser a light than Joe Kubert referenced the much imitated cover to Military Comics #13 while reintroducing the Blackhawk Squadron to a new generation. Like many of the "DC Explosion" era books, it was of its time in the worst way possible. I'm not sure if flared collars and necklines plunging to the navel in an all-male, all-leather, largely mustachioed fighting squadron makes them seem more gay, or less. Given their exuberant cluelessness and the aesthetic battery these threads inflicted even in the 1970s, they have perhaps never been more plainly straight. Then again, if Joe Kubert can't make you look hard as a coffin nail, it's raining men, hallelujah.

Honorable Mention
Military Comics #1 (August, 1941)

Like many debut cover appearances, they didn't yet know what they had, so it's just kind of there to be reprinted excessively.

20) Military Comics #27 (March, 1944)

Nazis will never go out of style, because regardless of all that genocide and general jackassery, no military has ever dressed sharper. The Blackhawk Squadron saw kids preferring Cobra action figures to G.I. Joes decades ahead of schedule, and sidestepped that pitfall by dressing like quasi-Nazis themselves. They also popularized the "running at the readers" group shot, of which this is one of many, with the added twist of it being seen through a sniper's scope.

19) Blackhawk #16 (Autumn, 1947)

There are only so many group shots a bunch of tough guys can strike, and the huddle is one I don't see much in comics. It's cute, like maybe something the Beatles would have done. I don't think they could have pulled off the jodhpurs, though, and I suspect they would have made Chop-Chop East Indian.

18) Blackhawk (Blood & Iron) Book Three (May, 1988)

If you're going to "homage," Leyendecker is a good way to go.

17) Blackhawk #251 (October, 1982)

After decades of painfully stupid new directions, the Blackhawks were back in WWII where they belonged, drawn on a powerful (if familiar) cover by the popular Dave Cockrum. Unfortunately, that also meant Chop-Chop was back to being the chubby short guy in coolie wear.

16) Blackhawk #13 (April, 1990)

I rather like the ornate design, but it feels a bit empty in the background. Also, I'm all for inclusion, but who the hell are all these new guys of color?

15) Modern Comics #92 (December, 1949)

So cool, so cold, in a cockpit where he belongs.

14) Blackhawk #1 (March, 1989)

A romantically optimistic image of the type we could all use more of these days.

13) Blackhawk #206 (May, 1964)

One look at those pants should tell you this was a very bad decade to be a Blackhawk. Forcing one of your men at gunpoint to dig his own grave after over twenty years of valiant service is a special kind of messed-up worthy of note. Perhaps most importantly, there's a chance Chuck will bury that god-forsaken shirt before he's done. Amen to that!

12) Blackhawk #69 (October, 1953)

Without the Axis, the Blackhawks tried to make do with some godless commies, but they mostly subsisted on vaguely foreign threats and mildly supernatural menaces. Also, there were a lot of giant machines destroying cities. The War Wheel was the favorite that appeared again and again, but this bad boy did a nice job of evoking Mars Attacks levels of mayhem a decade early. The book desperately needed more nihilistic horror, and less Human Starfish.

11) Modern Comics #68 (December, 1947)

You'll find the '50s and '60s very poorly represented on this list. I'm afraid I found those covers very busy, but also very boring, and not a little foolish. Too many giants and tentacle creatures and other assorted BEMs. Meanwhile, this cover makes it clear how much better the basics work. A handsome if intimidating/slightly creepy aviator holding the kind of weapon that could blow his own plane out of the sky.

10) Blackhawk #260 (July, 1983)

One of a number of mighty fine Chaykin covers-- just Blackhawk flying his plane. I find that Kraut to Jap kill ratio suspect, though.

9) Blackhawk #19 (June, 1948)

The war may be over, but Blackhawk is still locked and loaded, with that monochromatic background alluding to violence to come.

8) Blackhawk #263 [Uncolored Original Art Shown] (October, 1983)

The Blackhawks fought a whole lot of cheesy monsters-of-the-month from the 1950s-1970s, very much recalling the bad old Schiff years on Batman. Count your lucky stars none of those Killer Shark covers made this list, but it wouldn't feel right if the War Wheel didn't turn up at least once. This instance involved the art of Gil Kane and a rather provocative femme fatale. A shame I don't have a colored version available, but the sky's yellow, the wheel's red, and the figures in blue.

7) Blackhawk #8 (November, 1989)

I like that there's a sunny, old school background for an image that vaguely recalls lynching, as the Blackhawks drift lifelessly in their parachutes.

6) Blackhawk #262 (September, 1983)

Chaykin clearly worked on Blackhawk a few years too late. I think he grew out of this level of enthusiasm for drawing escapist fare.

5) Military Comics #28 (April, 1944)

Any one of these guys would have proudly piloted the Enola Gay. They're just so pleased to have this opportunity to kill Japanese people.

4) Military Comics #18 (April, 1943)

The entire squadron looks great, but the vibe is a bit morose for no apparent reason, and then there's the random mongol.

3) Military Comics #21 (August, 1943)

Most of the premise is right here. Scary fascist-looking dude and airplanes. Sometimes simple is best.

2) Blackhawk #257 (April, 1983)

Chaykin sure sells the sex here. A towering stone swastika aflame with a smirking Blackhawk on top, a gun in each hand. Grumman XF5F Skyrockets in flight against a background of stars and bars. F-yeah!

1) Military Comics #13 (November, 1942)

You know all those comic covers where a hero takes point as his team charges behind him? Like Giant-Size X-Men #1? They all came from this.

Top Character Covers Countdown

Tuesday, January 11, 2011

DC Owns?



A few months back, I was inspired by the appearance of Peter Cannon in DCU: Legacies #5 to look at what characters DC has assumed ownership of over the years, as well as to consider the tendency for the company to treat their acquisitions as red-headed stepchildren (which recalls their dalliances with Archie's super-heroes, actually.)

Until the 1970s, DC Comics was technically known as National Periodical Publications, derived from the Malcolm Wheeler-Nicholson's offering New Fun Comics under the banner of National Allied Publications. Harry Donenfeld and Jack Liebowitz, the guys who would really end up running National, came into the picture with Detective Comics. Wheeler-Nicholson was forced out after a bankruptcy, and the core DC super-hero universe began with Superman, Batman and Robin, plus lesser lights like Dr. Occult, Crimson Avenger, the Sandman, the Spectre, Hourman, and Dr. Fate.

Meanwhile, Donenfeld set up a side company with Charlie Gaines called All-American Publications in 1939. This was the birthing place of Wonder Woman, the Flash, Green Lantern, Hawkman and most of the rest of the Justice Society of America (including the team itself.) This represents the first schism in the DC Universe, because history bears out that their "World's Finest" was long the trio of Superman, Batman and Robin, leaving Wonder Woman and company as the other guys. In fact, for a brief period in 1945, All-American had its own separate "AA" cover logo, but when Gaines sold his stake later in the year, the line was folded into National. Think about this: While latecomer National back-up players like Aquaman and Green Arrow managed to stay in print throughout the Silver Age, the headlining stars of the All-American line were out of print by 1951. The one exception was Wonder Woman, but it didn't help that her co-creator William Moulton Marston and his estate retained certain rights to that character long after his death.

National bought the Quality Comics stable in 1956, and couldn't even be bothered to maintain their copyrights afterward, allowing scores of characters to enter the public domain. Plastic Man was one of the few super-heroes to survive the Golden Age, but National blew off continuing his title and buried him so deep in their portfolio that one of their own editors created a rip-off in 1960 without knowing he could have resurrected the original. National finally brought Plastic Man back for the first of many underwhelming revivals in 1966, not a single one lasting even two years. The other super-heroes pop up now and again, usually under the Freedom Fighters banner. National did continue publishing some of Quality's war titles, the most prominent star being Blackhawk, whom they spent most of the '60s updating and revising to the point of farce, until finally killing the book before decade's end.

After incessant lawsuits levied by National kept the best-selling Marvel Family of titles from being fully exploited through merchandising and media, plus the downturn in the super-hero industry after World War II, Fawcett Comics finally settled and closed down its comic line in 1953. Twenty years later, National began licensing their characters as add-ons to the DC Universe. In the interim, National had hired Captain Marvel's creators to largely recast Superman in the image of Shazam, building his own family and borrowing the lighter tone. By 1973, not only was Captain Marvel out of step with the times, but much of what had made his family unique was now associated with the Man of Steel. Plus, honestly, National couldn't have ever worked out a deal to buy the Captain Marvel trademark from Marvel Comics if it really mattered to them? I think not. DC didn't even acquire all the rights to the Fawcett properties until 1991, about the time they launched the most successful revival of Captain Marvel to date, four years worth of the mediocre The Power of Shazam!

In 1983, DC bought a batch of Charlton Comics "Action Heroes" at fire sale prices. Probably because a former Charlton editor was in senior management at DC, the short-lived and unsuccessful characters were treated with more respect than most once at DC. It probably didn't hurt that Charlton was never a serious competitor of DC's, and that the company had a much greater leeway to reinterpret the characters for modern times. Captain Atom had a healthier run in his solo series than Captain Marvel at DC, and the Question showed more staying power than Plastic Man. It's important to not that DC did not buy the Charlton name nor all of its assets. Aside from the aforementioned heroes, DC also has Blue Beetle, Nightshade, Peacemaker, Judomaster, Sarge Steel and their associated supporting casts/villains. DC only held the rights to Peter Cannon, Thunderbolt until 1993. Thunderbolt's creator, Pete Morisi, had asserted that he owned the character, not Charlton, and an agreement saw the rights revert back to him after a last failed attempt at a solo series. Morisi passed away in 2003, and one would expect DC to trumpet the reacquisition of the character from his estate, had they done so. Therefore, it's safe to assume Peter Cannon's appearance in a 2010 title was either an oversight or a single usage deal.

In 1991, DC Comics licensed the MLJ/Red Circle super-heroes once published by Archie Comics. The !mpact line that followed was a commercial dud that folded within two years. In 2008, a second, smaller scale licensing revival was attempted under the Red Circle banner, this time incorporating the Archie super-heroes into the DC Universe. This also folded within two years, and DC does not own the rights to any of the Archie heroes.

Milestone Media was created in 1993 as a partnership with DC Comics. However, DC does not own any of the Milestone characters. Instead, they have what amounts to an exclusive licensing agreement to publish Milestone characters, while Milestone Media retains all copyrights and creative control.

WildStorm Productions launched in 1992, and sold out to DC in 1999. The line featured cutting edge writers and artists who were then pillaged by other companies or alienated by the heavy-handed management at DC. Their core books were rebooted as a severely mishandled new universe in 2006, and finally folded entirely in 2010.

In 2009, DC announced that they had bought the rights to the T.H.U.N.D.E.R. Agents from John Carbonaro before he passed away that same year. However, the rights to those characters were disputed in court throughout the 1980s. There was a longstanding argument that the failure of publisher Tower Comics to secure copyright on their characters in their first issue meant they were in the public domain. Carbonaro was a tenacious plaintiff though, and fought for years to shore up his exclusive ownership of the properties. Funnily enough, Archie Comics licensed the characters during one of their super-hero line revivals, and Carbonaro danced with a great many publishers before establishing a (sometimes rocky) relationship with DC in recent years.

Hopefully, this piece helps to clear up lingering questions of who owns what. I think it also makes a case for how the company tends to segregate its acquisitions and show greatly preferential treatment to its in-house creations.

Wednesday, December 22, 2010

Blackhawk #246 (May-June, 1976)



“Chopper, alone among the Blackhawks, never met Boris before… for it was he who took Boris’s place in the Blackhawk line-up… Yet even so he was told many times of the fateful battle against a so-called ‘mad’ scientist…” Boris had been caught in an explosion caused by an electrical overload in Professor Distov’s island lab, and despite Chuck’s protestations, was left for dead by Blackhawk. The force was so devastating, the very island was rendered “an ash-strewn wasteland.” However, Boris managed to survive, with strange new powers and a thirst for revenge, soon to redub himself “Anti-Man!

As we entered the issue, most of the Blackhawk Squadron was chained by the wrists in a dungeon, captured by a man formerly among of their number. Years prior, the team had a short term “brooding Bolshevik” member named Boris, who in flashbacks we learned had become a close friend to Chuck during their early days. The pair engaged in tough love patter while gunning down Nazis, or as Stan put it, the all-American “Chuck always seemed to be over-compensating for his natural distrust, trying too hard to give Boris the benefit of the doubt.” Stan recalled a time when Boris “accidentally” tripped Chuck near a landmine, for instance, which prompted him to keep an eye on the Soviet.

The team had come to these straits after Hendrickson’s daughter had been dropped into the sea near Blackhawk Island, as a warning against their involvement in the Santa Culpa Rebellion. As her father watched over Elsa’s peacefully sleeping form, he thought, “After all she’s been through, I wouldn’t be surprised if she tossed and turned for weeks! But thanks to her hard childhood, I suppose no situation is going to faze her for long!” While Hendrickson remained with his adult offspring, Andre flew to Switzerland to investigate the disappearance of Olaf at a ski lodge. Initially skeptical, the Frenchman cursed himself a fool when he uncovered the Swede’s trashed hotel room, and his plane hidden in a hanger secret to all but the Blackhawks. “Unlike us, Andre remains unaware that it was Boris who took Olaf captive… and that Olaf had been reunited with the Blackhawks… in a dark and dismal Latin American dungeon.”

As Olaf regained consciousness, he was brought up to speed on the Squad’s capture by Stan. Blackhawk then ordered, “Enough, Stan! If Olaf can’t figure the rest out, he’ll just have to wait!” Blackhawk had managed to stall the vindictive Boris by goading him into plotting a fate worse than death for his former comrades, and that time was precious. “You appear to have regained your strength… Do you think you can break your chains?” Old and rusted, the mooring eventually gave way to Olaf’s muscle. “Yiminy! If this building ban not as old as it ban, I would’ve broken myself, not the chains!”

While Olaf set about freeing his compatriots, Boris sent for Professor Ortega, to hold a private meeting. “You are the only educated man in this backward country! Thus you must explain these strange powers I possess. Today, for example, I again felt the urge to go to Mount Sebastion!” Ortega had done some computing, and determined that location was exactly half a world away from Distov’s Island. It seemed that all those years ago, Distov had been experimenting with anti-matter energy that’s true source was powerful enough to emanate on the other side of the Earth, though it rested in Mt. Sebastion. “For some reason, the energy clung to you in the lab-- protecting you from the explosion-- and transforming you! And now the mountain acts as a recharging battery for your power-- !” Anti-Man was pleased with this explanation, but killed Professor Ortega all the same to keep it a secret.



Back in the dungeon, a plan had come to fruition. Water jugs in the cell were poured out under a locked door, and electrical wires pulled from a light were used to electrocute the guards outside. Olaf knocked down the wooden cell door, and Blackhawk continued barking orders. “Olaf, get back in here and free Stan, before our financial wizard has a coronary! Chuck, you stay here too! Once Stan is free, you three try to rally the government forces! There’s still a chance to defeat the rebels! Chopper, you’re coming with me!” Blackhawk had deduced that they were near a sub-basement of the presidential palace, “A perfect place for that turn-coat… to meet secretly with Anti-Man!” Boris had been leading the rebellion from the safety of the government’s very heart, but as the worm turned, el presidente cleaned out his office and escaped.

Government forces waged conflict above ground, but their resolve was wavering in the absence of leadership. The Great White Hope was provided to them at the arrival of Olaf, Stan and Chuck to the scene, guns blazing. “Fighting like the well-oiled team they are-- the three Blackhawks drive forward-- breaking the rebel line!”

Anti-Man heard the fighting, and reckoned that since his rebels should have taken the palace with ease, something must have gone seriously wrong. Boris entered a hidden passageway under the palace with the intention of taking the government forces from behind. However, Blackhawk barred his path. “I don’t know how you got free, but you should have run like the coward you are-- for now you will surely die!!” Anti-Man began firing energy blasts, mostly at the also present Chopper, who evaded them with his expert tumbling and kung fu skills. “Stay still, you little fool! I hunt only Blackhawks-- not a non-entity like you!”

“One problem, friend! I am a Blackhawk-- even if you aren’t-- traitor!! Leader-man-- he’s all yours!” Blackhawk began pounding Anti-Man, having used Chopper’s distraction to even the odds with Boris by keeping him to dazed to use his powers. After knocking Boris out, Anti-Man was bound up. However, the former Blackhawk wasn’t willing to go in quietly, and instead caused the anti-matter in Mt. Sebastion to overload explosively. “Anti-Man almost finished us all with that explosive suicide!” The only thing saving them was the fact that Boris had already drained so much power from the mountain’s load.

After the explosion, the rebel forces backed down. “With their corrupt president gone, they’ll be free to have a new election… and maybe, even a worthwhile government! In any event, our job here is finished! The rest is up to the people of Santa Culpa! Come on, Blackhawks, it’s time for us to fly!” As their sleek jets streaked away, Chuck thought, “No matter what Boris became, he was still once my friend! And that’s something you can never forget… NEVER!”

"Death's Deadly Pawn" by Steve Skeates, Ric Estrada & George Evans. Not a great story, but a cute way to resolve the fate of an early Blackhawk of the 1940s. However, for the record, Chopper (by the name Chop-Chop) made his first appearance in Military Comics #3, when Boris was still a part of the Blackhawk Squadron. If anyone, Chuck replaced Boris (and Zeg) as a permanent member once the roster solidified.

Tuesday, December 14, 2010

Who's Dat: Anti-Man



PERSONAL DATA

Real Name: Boris (last name unrevealed)
Other Aliases: Anti-Man
Occupation: Rebel leader
Marital Status: Single
Known Relatives: None
Group Affiliation: Rebel forces of Santa Culpa, formerly the Blackhawk Squadron
Base of Operations: Santa Culpa
First Appearance: MILITARY COMICS #2 (1941)
Height: 6'2"
Weight: 190 lbs.
Eyes: Blue
Hair: Red

HISTORY

The Russian Boris was one of the first recorded members of the acclaimed international World War II aviation aces known as the Blackhawk Squadron. Boris was accepted as a friend by teammate Chuck Wilson, but was distrusted by other members, and vanished without explanation early on. Well after the war, it was revealed that on an early mission raiding the island lab of the enemy scientist Professor Distov, Boris was caught in an explosion and left for dead.

Unbeknownst to his fellow Blackhawks, Boris had been exposed to a form of anti-matter energy Distov had been experimenting with, which protected and transformed the Russian. Boris was then drawn to another source of anti-matter, found within Mount Sebastion in the South American country Santa Culpa. This source renewed the strange new powers Boris had acquired, so he remained in the country. Boris worked with Professor Ortega to create a battle suit to help him wield the energy under the title Anti-Man. Not only did Anti-Man become the head of a rebel army in Santa Culpa, but he even conspired with President Carlos in his plot to overthrow the government.

Fearing his former comrades in the Blackhawk Squadron might interfere with his plans, Anti-Man began to harass and kidnap members of the group. Before Boris could gather the entire team and work out a suitably diabolical revenge, the Blackhawks in Santa Culpa managed to escape and route Anti-Man's coup. Having been abandoned by Carlos and having murdered Prof. Ortega to protect his secrets, Anti-Man was forced to face Blackhawk and Chopper on his own. Despite his powers, Boris was beaten into submission and captured. Preferring death before further dishonor, Boris caused the anti-matter in Mt. Sebastion to erupt, seemingly taking him with it. The Anti-Man has not been heard from since.

POWERS & WEAPONS

With his anti-matter powers, Boris managed to survive a deadly explosion, presuming that was not the very source of his abilities. Afterward, Anti-Man could fly and fire "anti-blasts" of energy from his fingertips. Anti-Man was still physically susceptible to conventional attacks, so he wore a suit of armor for protection.

Created by Will Eisner and Chuck Cuidera

Monday, December 6, 2010

1989 Mayfair Games DC Heroes Blackhawk Character Card Front



Blackhawk is another character like Captain Marvel, Blue Beetle and Plastic Man who was major league in his day, but can't seem to be made to work properly anymore, and not for some time. They started screwing up the Blackhawk Squadron in the '60s by converting them into the worst super-hero team contemporaneous with the Inferior 5. The '70s lost the powers, but kept some of the poor fashion sense, with tight pants and plunging necklines to go with the sexed-up "Carley's Angels" vibe. There was a well received but poor selling return to the WWII era in the early '80s, which was my first exposure to the group.

When Howie Chaykin decided he'd like to make corporate money again in the late '80s, he first did a Shadow revival for DC, and when that worked out, somebody figured Blackhawk was the next obvious step. Chaykin loved the period for its scummy underbelly, and so Blackhawk became a precursor to Mad Men by showing "the Greatest Generation" for the adulterous, hard-drinking, money-grubbing parents of the "Me" Generation that they were. It surely stuck in many a craw, because Blackhawk himself was virtually unrecognizable in Chaykin's portrayal, but it sold well enough to land him a slot in Action Comics Weekly. I could have sworn Marty Pasko wrote the strip, as he did Secret Six, but it turned out Mike Grell was at the helm for the initial eight part serial. Regardless, it was Pasko who joined strip artist Rick Burchett for the rest of Blackhawk's involvement in the weekly experiment, which then spun off into the sixteen month run of a mature readers solo series. That book launched in 1989, and is surely the reason for Blackhawk's odd inclusion in this card set.



Especially after my fanboy tangent yesterday, it behooves me to compare Blackhawk's stats with Sergeant Rock. The only physical inequality in the stats is Sarge's extra and well-earned point of Body. Rock's Will and Mind are far stronger, possibly influenced by Janos Prohaska's boozy cool and the shadow of doubt Chaykin's revisions cast over the Blackhawk canon. Rock also has the superior Aura, Spirit, Military Science, Weaponry, Martial Artist and Weaponry skills. However, the difference was always within a point or two. Blackhawk is best with a stick in his grip, either through 7 Charisma at the bar or 12 Vehicles when flying. Blackhawk has far better connections, and most importantly, an X-F5F Skyrocket with a Flight of 9 and Bomb of 15. So that's why he was the one to survive the war...