Monday, June 14, 2010

Lobo Annual #1 (1993)




Just to show what an aberration the reprehensible Lobo's popularity was at DC, his annual was used to kick off the first round of the rather graphic Bloodlines event, Outbreak, even though he didn't actually have an ongoing series yet!

Lobo was at L.E.G.I.O.N. headquarters, preparing to torture a perp who was associated with the Poiple Mob, which had stolen the Main Man's space bike. He was called off by Strata under orders from Vril Dox, who had a mission for 'Bo. Officer Layla and her squad would be joining Lobo, which prompted the usual sexual harassment and a knee to the crotch. "Lucky them's tough stones, babe!"

Dox was eventually allowed to begin his debriefing. "Twelve hours ago, a spaceliner en route to Tau Ceti witnessed a most unusual event! A rift-- or rend-- in the fabric of space! Fortunately, the captain had the presence of mind to focus his external cameras--" Dox showed footage of a rough-hewn brown mass exiting the rift. "That's all they got before wide-band interference from the warp disrupted their electrical systems and they had to leave the area." Layla's team, including Lobo, would be sent to investigate. To encourage 'Bo, Dox mentioned that the Poiple Gang had also been reported in the vicinity. Lobo wasn't inclined to follow anyone, but he'd sworn an oath to follow Dox's orders long ago. "'S what sets me apart from the herd!" Dox also felt this would be a "trial by fire" for Layla, who was proving herself as an exceptional candidate to join the core L.E.G.I.O.N. team.

Meanwhile, the Poiple Gang, more accurately described as space pirates, were preparing to raid the mysterious vessel. The usual lack of hailing replies/warnings it's made of unknown materials/etc were applied beforehand.

As the Poiple Gang struggled to burn their way into the curious vessel, Layla's ship approached the site. Lobo was anxious to wreck havoc, and Layla had no reservations about indulging him, seeing as the gang were wanted dead or alive. "Be my guest! Just don't hit the alien ship!" The Main Man fired the ship's lasers in an ongoing barrage. The Poiple Gang's craft was damaged beyond repair. First mate Smee, a heavyset bearded ginger, killed one of his own for a spacesuit. Lobo made a point of avoiding Cap'n Poiple, so he could be done personal like.

A few gang members made it into the ship, so Lobo decided to try to get frisky with Leila before the upcoming penetration, and earned another slap in the face. "Nobody rejects 'th Main Man twice, iceberg! Get ready to rumble!" Lobo was distracted by one of Layla's officers, giving her time to hypnotize 'Bo with a pendant she carried. "You want to behave like a dog, Lobo, you'll be treated like a dog-- Sit, boy!"

While still articulate, Lobo acted as a hunting hound for Layla as they tracked gang members in the alien craft. As expected, the walls are organic, conventional means of analysis ineffective, yadda yadda. You've seen an Alien movie. You know know the score. Layla's primary officer was a dreadlocked black male named Zembler, who took point with a second investigative squad as the group split up.

The various intruders had awakened the native aliens within the vessel from suspended animation, and they were hungry. The vessel also had its own automated defenses, which began killing L.E.G.I.O.N. officers. Lobo had been struggling to overcome Layla's conditioning without success, so it was some relief to be let off his leash to sic the enemy. Laser weapons were completely ineffective against the automatons, who ripped officers limb from limb. Lobo applied the same brute force, ripping the head off a "dome-head bastich!"

Meanwhile, Smee was confronted by three of the Bloodlines aliens. One, the gluttonous Glonth, had assumed a human form-- Smee's. The aliens were ravenous, and in the face of Smee's negotiation attempts, Angon declared "That is of no concern to us. He must die. All must die!" Smee's weapon was useless as Glonth resumed his normal form and drained the life out of the back of Smee's neck.

Zembler's team were lured into a trap by Glonth's Smee-form, and devoured by more aliens. Pritor took Zembler's life, and then his form. The other aliens did the same with their officers, but all were discussed to find these's subjects essence was bitterly repellent. Layla's team fought off the aliens, but were conned by Glonth, who attacked from behind. Only Lobo's sense of smell offered any advance warning.

Lobo took a nasty slice to the ribs. "Ya plug-ugly bastich! I'll learn ya t'go spillin' th' Main Man's blood--" Layla wasn't fooled when "Zembler's" team came calling, recognizing "They're shape-shifters!" Glonth managed to take a drag off Lobo's neck, but found him "foul-tasting--!" Layla jumped into the fray to rescue 'Bo, but proved a tastier dish for Slodd. Lobo managed to separate the two with a grenade, but the rest of the team was now dead. 'Bo considered leaving the unconscious Layla behind for that "mutt crap," but decided one save deserved another.

While the Bloodlines aliens were highly resilient during this crossover, Lobo's grenade managed to kill Slodd. Pritor noted, "We are only six now. We can afford to lose no more, else our mission may be seriously [sic] imperilled." Angon continued, "As it stands now, our shapeshifting will be extremely restricted." Glonth concluded, "No mercy. When we find him-- kill him! But save the female. Her juices were... perfect."

Lobo was attacked by Eugene Poiple, and vicious combat ensued. Once the Main Man learned the gang had celebrated stealing his bike by setting it on fire, the Cap'n's life came to a grisly end. Lobo tossed the corpse at an approaching alien and bolted.

The Main Man set a series of explosives, then tore the pendant Layla had used on him off her neck. Lobo needn't have bothered, as the recovering Layla was struck with amnesia. Lobo tried to trick Layla into believing they were lovers, but his disgusting snail tongue kiss convinced her otherwise. 'Bo received another kick to the man parts, but this time, with enough force to double him over in pain. Layla had gained super-human strength and invulnerability from her Bloodlines encounter, and could take as much punishment as she dealt.

Lobo was reminded of his explosives, and the pair departed the vessel for the vacuum of space, until they reached their L.E.G.I.O.N. craft. A hasty retreat was beat, though the detonation did the Bloodlines little harm. Lobo assumed otherwise in his video report to Dox, who demanded more concrete answers, and was instead exposed to Lobo's "dark side of the moon!"

"Hounds of Blood" wuz by Alan Grant & Christian Alamy. The former was on auto-pilot, while the latter was in full-on Simon Bisley imitation mode. Alamy's anatomy was actually much better than the Biz's, as was his clarity and the consistency of quality. In fact, Alamy essentially married the erratic, primal Biz to the crisp, clean, Swandersonesque art Barry Kitson had provided for Lobo's parent title, L.E.G.I.O.N.. It was quite the bipolar feat.

Friday, June 11, 2010

My Love Affair With The Doom Patrol and How Keith Giffen Makes Me Smile

Every so often a comic book is done so well by a creative team that I wish the powers that be would end the book when that team finishes their run. Just end the book on a high note and give the characters a 10 yr grace period before anyone else can touch them. Unfortunately, comics are a monthly business and good creative teams bring in readers. And for big characters, you just can't send them away. To cancel a book just when it is peaking doesn't make sense. Still ...

I wished that DC ended Swamp Thing when Alan Moore left. While Rick Veitch had good ideas, his Swampy was akin to a great hamburger after eating filet mignon. It just paled by comparison.

Similarly, I wished DC ended Doom Patrol when Grant Morrison ended his run. He seemed to have such a grasp on those characters. It was delightfully trippy. I ate up his Doom Patrol with a spoon and figured that no one else would do the characters justice.

The problem with that is ... I love the Doom Patrol. I love the name. I love the characters. I love that they are on the bizarre fringes of the super-hero community. And despite Morrison's historic run, I find myself still drawn to them. Since he left, I have been sorely disappointed ... until now.

The purpose of this posting is to lavish love on the Doom Patrol themselves and in particular sing the praises of the latest incarnation of the team ... the first version of the Doom Patrol since Morrison's that seems to just get it.

My first Doom Patrol book was Showcase #94, written by Paul Kupperberg and drawn by Joe Staton. I bought it at the local convenience store with my own money and thought it was too fantastic for words. I knew little of the original team but after a 2 page synopsis of their ending and the introduction of the new team I was hooked. Even the cover is the perfect way to grab a potential reader, the eerie font of the title, the classic gravestone cover, the mangled original Robotman body. It all worked.

I looked out for the next couple of issues of Showcase and bought them too. I learned about the Chief's origin, his wife Celsius and her powers, and General Immortus. These guys weren't the Avengers or the JLA. Heck, they weren't even the Defenders or the Champions. There was something off about them and that worked for me.

Reading those books made me seek out other Doom Patrol stories, older stories reprinted in other comics, and the occasional mangled original Doom Patrol issues discovered in dirty flea markets.

Those Arnold Drake and Bruno Premiani books were ground breaking for their time, probably about as odd as you could get for that time period.

But after the Showcase issues, the Doom Patrol sort of went away. The Showcase sales must not have been enough to earn them a book of their own. And though they were subsequently seen in The Daring New Adventures of Supergirl, Teen Titans, and the Crisis, there were no new stand alone adventures.

Then, in 1987, DC figured it was time to try again and I was right there with them. It helped that Paul Kupperberg was the writer again. But the big draw for me was Steve Lightle's pencils. I ogled Lightle's run on Legion and couldn't wait to see more of his pencils.

The initial stories were fine if relatively straightforward super-hero tales. And Lightle quickly left the book. Despite the dynamic art from a newcomer named Erik Larsen (I like his steam shovel jawed Cliff), the book seemed to plod along. There just wasn't enough Doom in the Doom Patrol, there wasn't enough of the strangeness that was part of the Drake pieces. I lost interest in the book and stopped buying.


I was lucky enough to jump back on board when Morrison took over in Doom Patrol #19. I am a sucker for 'bold new direction' issues and I had this long-standing love affair with the team, so I figured why not.

He had me at hello. Morrison showed me new levels of weird and his words were matched in intensity by Richard Case's thick-lined art.

The first arc was about the Scissormen and the bone city of Orqwith (which disappears when it is confronted with it's own unreality). Then came Red Jack (or God), the Brotherhood of Dada, the living book of the Unmaker, Yankee Doodle, Flex Mentallo, The Men From Nowehere, etc etc. Each issue seemed to push the envelope more. It was a dizzying collection of stories that made perfect sense to the college student me. His run ended nearly 4 yrs later with a touching tale of Crazy Jane.

I thought the book should end. Who could ever fill the shoes of Morrison?

Unfortunately, rather than walk away myself, I suffered through about 6 months of Rachel Pollack's run. Again, she had some ideas ... but it felt like she was trying to write like Morrison and you just can't copy him. I wasn't alone in my feelings. Lots of people left the book and it was soon canceled.

It was so distasteful that I decided that I wouldn't read any more Doom Patrol. Morrison's was definitive. So I would shy away from others. Better to reread his issues then suffer through an inferior new version.

Well, in 2001, John Arcudi wrote another version of the team in which Robotman is charged to mentor some young heroes. I couldn't resist and bought the first issue and no others. For all I know the rest of the book was spectacular. But I felt if the first issue didn't grab me, that I would stick fast to my 'only Morrison' rule.

And then, perhaps, the version that angered me the most. John Byrne's attempted reboot in 2004. I didn't buy a single issue so again, the book might be great.

But I heard he was retconning the team so that this was there first appearance. I consider myself something of a continuity nerd. I don't mind soft reboots. But to erase the Doom Patrol from prior stories meant major down stream things. How do you explain Beast Boy? Or the Morrison stories? Or any other place they were. I know ... continuity nerd.

But this was too much of a faux pas to have me even give the book a sniff.


Which brings us back to the current series and my appreciation of Keith Giffen and artist Matthew Clark.

I will admit that I purchased the Blackest Night crossover issue to get the promotion ring. But I have to say, it was good enough to get my attention. It seemed like Giffen realized that the book had to be off-the-wall, had to be strange and creepy, if the characters were going to work. A couple of months after that issue, my local store had a '50% off books on the rack' sale. I bought the rest of the run and devoured them.

All of a sudden those feelings I had with Morrison's run were coming back. Okay, maybe this run isn't as innovative and trippy as those issues, but they are strange and off-kilter, with a nice spicy flair of fatalism. The characters are all wonderfully flawed. I love the book.

What's more is that Giffen realized that he could fold their convoluted multiple versions into the story as another way they are so bizarre. He doesn't ignore it ... he embraces it. Yes, we have the main team being the original Robotman, Negative Man, and Elasti-Girl. But we also have Danny the Street and Crazy Jane from the Morrison run. Even in the above issue, the Negative Man acknowledges that all of the prior versions of him are ... well ... him, even if they can't all be him if there is one timeline.

So like a long-lost lover, I am back with the Doom Patrol. And I am happy that they are in good hands with this creative team. The book is definitely worth checking out.

Direct Currents: Friday, June 11, 2010



The Superman McClure Dailies File Copy From 1938 Hits eBay


BATMAN #700: Bat-Creators Share Some Favorite Bat-Things

Some notable Batman creators of the past and present share some of their favorite things from Batman's history

It’s Not Easy Being Green: Swamp Thing, Ecology and the (Sometimes Slimy) Nature of Being Part 1, Part 2.


PREVIEW: "Icons: The DC Comics and Wildstorm Art of Jim Lee"


BLOGS

JLA Jr (Amazon Princess)
Comics Buyer's Guide #1453 - 2001 (The Aquaman Shrine)
The Comic Reader #142 (Being Carter Hall)
Is that really what Anarky looks like these days? (Every Day Is Like Wednesday)
Firestorm in WB Consumer Products Promo (Firestorm Fan)
2010 The Martian Manhunter Archives Volume 7 Fan Mock-Up Cover by Tom Hartley (The Idol-Head of Diabolu)
The All New Atom #7 (March, 2007) (Power of the Atom)
Love, Bruce Wayne Style (Slay, Monstrobot of the Deep!!)
Supergirl In DC Comics Fandex (Supergirl Comic Box Commentary)
Supergirl Bits of Business (Supergirl Comic Box Commentary)

Thursday, June 10, 2010

Arsenal: The Rise of Villainy



Archery was never my favorite super-heroic attribute. Like running for speedsters, the necessary act of drawing an arrow out of a quiver, cocking it, and firing gets repetitive mighty quick. The golden ages of comics and film overlapped, and because the Robin Hood archetype was huge in movies until the 50s, every comic company seemed to have at least one arrow-slinging hero of their own. Green Arrow and Speedy were not the first, but they proved the longest lived. They were among a select few super-heroes to survive the genre bust of the late '40s and continue to be published, albeit as a back-up feature in the books of bigger names.

The first Green Arrow story I ever read was either an O'Neil/Adams issue of the book he shared with Green Lantern, which would have soared for the art alone, or a copy of The Brave and the Bold. I loved team-up titles, because the lesser character's origin was usually recounted in detail, and those are often the best stories a character has to offer. Green Arrow was a prominent member of the Justice League at the time, even though I likely didn't know him from Adam, so his origin was skipped in favor of a generic adventure. I think the Emerald Archer helped Batman save Robin from the Penguin, as if the Caped Crusader couldn't handle that on his own. The damned thing wasn't even drawn by Jim Aparo, who usually provided the best Batman art on the market.



Green Arrow had his own teen sidekick, but I had to wait for a New Teen Titans Drug Awareness Special to meet him. Even though it was a giveaway, I bought mine in a grab bag of comics from a thrift store. Speedy was in the best one, by the hit creative team from the actual series, Marv Wolfman and George Pérez. That was a great looking and melodramatic book in which Speedy, as a recovering heroin addict, took center stage. Roy Harper stood out for me from that moment on, both for his vibrant yet unappreciated costume, and for the all-too-human frailty so rarely allowed in super-heroes. Plus, he was the only hero I knew of at the time who dealt with real issues, like teenage runaways. Based on that comic, you'd think Speedy was Cloak, Dagger, and Daredevil rolled into one, but in fact he didn't even rate a steady gig amongst a group of teenage crime fighters.

Roy Harper was something of a bad penny from then on, turning up in all sorts of random places. While Mike Grell was making Green Arrow as "realistic" as was possible in telling crime and espionage stories involving a hero wielding an antique, Speedy was performing impossible trick shots and still employing the occasional high concept gadget arrow. Is it any wonder that, despite his sordid history and general underachievement, I still held Roy in much higher esteem than his rapidly aging, womanizing mentor? Sure, Speedy wasn't the brightest bulb, and he went down faster than Robin without his trademark crotch jabs, but Roy had heart and personality. That goes a long way.



Dick Grayson grew from Robin the Teen Liability into the fan favorite Nightwing, but was forced to sit out his prime earning years without a solo title at the behest of Marv Wolfman. As the Titans franchise continued its great collapse, the Batman Family editors decided to reclaim their prodigal son. Roy Harper was brought back to serve as a Nightwing proxy, re-dubbed Arsenal. In a purple outfit clearly meant to evoke the departing Grayson, Harper would diversify his weaponry, the better to pander to '90s fads. I didn't mind though, because it felt like Roy would finally come into his own, or at least Nightwing's abandoned own, which was way better than occasional guest spots in Action Comics and Deathstroke the Terminator



The Titans began hemorrhaging characters and fans, while Arsenal changed his costume every third month in hopes of catching the zeitgeist. Roy reconstituted a team he objectively had no business leading around whatever up and coming heroes DC wanted to promote. The inorganic mess finally bit the dust a few years into Roy's watch. However, that only opened up the opportunity for revivals and new teams capitalizing on Titans nostalgia, which was manna from Heaven for Roy. Like Aquaman and Martian Manhunter in JLA, Arsenal could ride a resurgent belief in the strength of foundation characters on DC teams out of irregular publication and back into the public eye.



During Roy's lean years, he slept with an international assassin named Cheshire, and conceived a little girl, whom he would claim sole custody of. While the mantle of Green Arrow had been taken up by Oliver Queen's multiracial bastard son, whom he'd spent nearly twenty years pretending not to know about, Roy became the rare example of a responsible, loving single parent super-hero.



Roy Harper, with seventy years of publishing history, translations into multiple media, the successful assumption of adult heroic identities, and a unique role to serve within comics through his parenting. Of course, especially in the current climate at DC, it couldn't be expected to last.

Fueled by screenwriter/director Kevin Smith's fan following, Oliver Queen had been restored as Green Arrow and as a presence on the sales charts. De-aged and having had a heroic "family" of his own spring up, Green Arrow became a prominent super-hero again. All was well and good so long as the cash kept rolling in, but as Queen's fortunes turned, his desperation knew no bounds. Black Canary was removed from her near decade long starring role in Birds of Prey, supposedly to lead a new Justice League, but soon revealed to become indentured support to Queen as his wife/partner. The bastard son/replacement, Connor Hawke, was placed in a coma to cut down on the redundancy of multiple archer heroes running around in the DC Universe. It was inevitable that Harper, now "Red Arrow," would be the next to fall.



Roy Harper couldn't be competition as an archer any more if he lost an arm, right? Avenging him would give Green Arrow a highly visible motivation for revenge. Not nearly enough to draw in the fanboys though, so why not kill Roy's little girl, too? Why not strip everything from Roy? Have him backslide into drugs? Watch his team fall apart around him? Maybe even lose his sanity? Claims could be made that this would be his opportunity to be "Born Again" as a player, but step by step, Harper just goes deeper into the darkness. You don't build a fan base for Arsenal as a hyper violent vigilante by going so far as to have him suffer erectile dysfunction while attempting rough sex with his dead baby's momma, though. The geeks get uncomfortable about that sort of thing, and really, how many consecutive comics can you have a hero sink into the muck until he can't rise, phoenix like, from the ashes of his former life?



No, when you heap on the degradation to an unbearable degree, and announce your protagonist's upcoming association with a group of mercenary hero killers, the point is not to redeem your character. Green Arrow has a fairly thin rogues gallery and a fairly lame set of abilities, so it stands to reason you can help shore up the character by turning his derivative sidekick into a sympathetic adversary. Poor Roy Harper. So much potential to be a positive role model and unique brand of super-hero. Instead, it's all squandered in favor of a particularly nasty heel turn. Well, that's my present theory, anyway. Still, wrong or not, I just wanted to take a moment to mourn what could have been, and express my ever growing disdain for Green Arrow and the modern DC Universe in general. Roy, I'm truly, deeply sorry for your loss.

Wednesday, June 9, 2010

The Top 10 Captain Comet Covers

My interest in Captain Comet started out as youthful curiosity regarding comics' original heroic mutant, the first post-Golden Age super-hero, and the only long underwear type openly active in the 1950s. From his modern age appearances, I came to know him as a lovable old school stiff, and dug that he was an obscurity brought back in the '70s to battle the Secret Society of Super-Villains from within. Only recently did I decide to finally take the plunge and try collecting his solo adventures, only to discover some seriously obvious gay subtext running throughout his early career. So, not only will this cover gallery represent what I feel are the character's best frontpieces, but also an opportunity to make lewd jokes and promote the queer agenda. Who's up for a trip to Uranus?

10) Strange Adventures #40 (January, 1954)


Shrinking and going bald! Every man's nightmare!

9) Strange Adventures #27 (December, 1952)


Standing shoulder-to-shoulder with himself, Captain Comet anticipates his aughts reboot. Plus, the two faces of Blake argue over whom the cop in the tight pants with the provocatively posed rifle will fire upon, until the piece officer chooses to blast them both. Up against the wall, pervps!

8) DC Special Series #6 (November, 1977)


The Man of Destiny presents his ass to the entire Justice League of America and the Secret Society of Super-Villains, exclaiming that he could be struck anytime and anywhere! En garde!

7) Mystery In Space #7 (May, 2007)


A proportionately childlike Adam Blake turns his back to the viewer while walking toward the crotch of a deviant alien priest, whose arms are outstretched in an ecstatically welcoming posture. Hail Mary!

6) L.E.G.I.O.N. #44 (August, 1992)


A vibrant Kevin Maguire cover that for once showcases Comet's mental powers. What?

5) Strange Adventures #17 (February, 1952)


Gil Kane drawing man-made-men rising up from puddles of seminal goo? Not only does this cover look great, but the only way it could play up the queer subtext of the series any more would be if Comet were pushing the girl "out of harm's way."

4) Mystery In Space #1 (November, 2006)


Adam Blake casts off his wrinkled old man flesh for a tight young body and a nice big phallic symbol. Note the streaking star seed and the smoke drifting out out of old Blake's crotch, as though he just ejaculated his new self.

3) Strange Adventures #33 (June, 1953)


Pink skies? Bondage? Miniature humans working out of a yellow hive pocked with entry points? Evil mocking giant sentient bug gently stroking Captain Comet's arm? This cover is what would happen if Freud and Kafka had a love child.

2) Strange Adventures #39 (December, 1953)


Gorilla covers are a monkey's paw full of win anyway, but Blake as the prosecuting attorney arguing to send Coco to death row? That's the face of awesome.

1) Strange Adventures #9 (June, 1951)


This image doesn't make a lot of character sense, because it isn't like Adam Blake was some dapper chap thrust into the role of spaceman. However, it is the first Captain Comet cover upon his original appearance, and striking besides. Also: Metrosexuality.

Honorable Mentions:
Mystery In Space #6 (Comet fighting his way out of an enormous flesh-eating space penis.)
Strange Adventures #10 (Captain Comet ignores hot space chick in a mini-skirt to focus on giant nude infantilized alien.
Mystery In Space #2 (Adam Blake is a wanted man!)
Secret Society of Super-Villains #10 (Getting beat-up by Grodd, Star Sapphire and the Wizard.)
Strange Adventures #35 (Chess board action!)
DC Comics Presents #22 (Captain Comet is out of control, and shoots himself at Superman!)
Secret Society of Super-Villains #2 (In another example of working through sexual frustration, Captain Comet decks that paragon of heterosexuality, Hal "Green Lamtern" Jordan.)

Tuesday, June 8, 2010

Direct Currents: Tuesday, June 8, 2010



Swamp Thing To Hit Ethan Van Sciver’s Plastic Man First

Billy Tucci On Cassandra Cain?

WB, DWIGHT HOWARD, ADIDAS Team-Up for SUPERMAN Shoes

"Is it the shoes?" Find out in your own pair of Superman-inspired shoes brought to you by the NBA's Superman, Dwight Howard

When Words Collide

In celebration of the recently released giant-size "Wednesday Comics" hardcover, Tim looks back at the series, describes what works and what doesn't in this new format and explains why "The Flash" is still so amazing.

EXCLUSIVE PREVIEW: "The Outsiders" #30

Exclusive DC Preview: DOC SAVAGE #3 (+ DOOM PATROL #11)

Exclusive DC Preview - THE WARLORD #15

DC Preview: BATGIRL #11


BLOGS

Hipster Model (Amazon Princess)
Captain Action Meets Aquaman - 1967 (The Aquaman Shrine)
JLA-Z: JLA Detroit (The Aquaman Shrine)
May 25th, 2010 "Let's Be Friends Again" Web Comic Strip (Diana Prince: Wonder Woman)
Brightest Day, Odd Couple, Ed Benes sketch, Racism in comics, drink recipe, and more (Firestorm Fan)
2007 Martian Manhunter Sketch by Tom Hodges (The Idol-Head of Diabolu)
2010 DC "A Universe of Opportunities" Consumer Products Ad (The Idol-Head of Diabolu)
PETITION – Put ‘Batgirl: Year One’ Back in Production (Once Upon A Geek)
Ryan Choi Lives! (Power of the Atom)
The Other Bizarro Supergirl (Supergirl Comic Box Commentary)
Review: Adventure Comics #12 (Supergirl Comic Box Commentary)
And Then I Read: BATMAN & ROBIN 10-12 (Todd Klein's Blog)

Strange Adventures #9: "The Origin of Captain Comet!" (June 1951)



He was a mystery to himself! Why-- young Adam Blake wanted to know-- was he so different from other people? How did it happen that there was no one else like him in the whole wide world? Where did he really come from? Who was he? All these questions which might have unsettled an ordinary mind-- only served to whet the brain and steel the mettle of the extraordinary youth who, without knowing it, was fated to fulfill a grand and awe-inspiring destiny on Earth-- as Captain Comet-- First Man of the Future! Read now the starling story of...
THE ORIGIN OF CAPTAIN COMET!
by John Broome (writing as Edgar Ray Merritt,) Carmine Infantino & Bernard Sachs.

Two decades ago (about 1931,) a comet appeared over a Midwestern town as Adam Blake was born "in a small city amid humble surroundings." Named after his grandfather, Adam's dad expected great things with the comet as a good sign, but his mother admonished "Oh, John! Don't talk that way! All I want is for him to be just like everyone else!"

This was not to be, as Adam "just knew" things, like the location of missing objects, by age four. At eight, he could memorize whole textbooks in minutes. By high school, he could pick up a musical instrument, and figure out how to play it expertly in no time without any instruction. In college, no one could tackle him on the football field, as though he knew in advance where his opponents were headed.
But despite his successes, Adam was a lonely young man...

"I'm not like everyone else! I-- I try to be, but I'm not! And people sense it-- and avoid me!" Blake was capable of doing anything he set his mind to, almost effortlessly. Saving a beautiful classmate named Betty from a potentially deadly fall, Blake discoverd he could catch her telekinetically from yards away "by mental force!" Yet, he questioned why a person should have a power like that, and went to the wisest man he knew for help, physicist Professor Emery Zackro. The brilliant old fellow ran a battery of tests to determine Blake possessed powers of telepathy, clairvoyance, mind over matter, and a tireless, superhuman physique.

Zackro concluded, "You've heard, I'm sure, of human throwbacks-- men born today with the minds and bodies of the cavemen of 100,000 years ago! Well, think of the opposite of that... Scientifically, there's no reason why the opposite-- an accidental specimen of future man-- should not happen! It just never has, Adam-- till now! ...You are a mutant-- born by chance..."

Blake wasn't sure what to do with his gifts, though he hoped to benefit mankind. Zackro urged him to keep them under wraps for the present, until a considered decision could be made. In the meantime, Blake used his high intellect to correct errors in Zackro's "solar-reducer," a machine that could extract gold particles from sunlight. Randomly, Blake's breakthrough was made in earshot of gangsters who had been charting Zackro's development, and sought to kidnap this new kid genius. Fearless and possessed of exceptional ability, Blake fought off the men with his incredible strength and martial prowess. This led to gunfire, but Blake telekinetically slowed a bullet in midair, allowing it to bounce harmlessly off his chest. Blake finished the fisticuffs, and turned the three hoods over to police.

Later, Zackro bemoaned the foolishness, as his $10,000 machine would take over a year to collect $100 worth of gold. However, a lesson was learned-- that Blake's revealing his powers would only bring unscrupulous opportunists out of the woodwork. For safety, Zackro urged Blake to maintain his secret, and if he must employ his powers for good, to do so in a "new secret identity."

Meanwhile, giant tops began appearing around the globe, wrecking everything in their path, and shrugging off A-bombs without a scratch. This motivated Blake to don a colorful uniform and, inspired by the unknown comet that appeared at his birth, assume the name "Captain Comet." How he would fare against the tops would remain a mystery until the next episode...

Monday, June 7, 2010

Direct Currents: Monday, June 7, 2010



SPINOFF: "Green Lantern" Movie Logo Revealed

We're still more than a year away from the release of the "Green Lantern" feature film, but Warner Bros. has unveiled an official logo and first promotional art for the highly anticipated movie and SPINOFF has the details.

SPINOFF: Is Green Lantern Already in his Second Movie?

SPINOFF ONLINE's Graeme McMillan highly anticipates the coming "Green Lantern" film, but wonders if the feature has somehow skipped to its own sequel.

HeroesCon: DC Nation

Missing characters, sudden deaths, and shiny, happy stories are the focus of DC’s only panel at HeroesCon. Senior Story Editor Ian Sattler hosted a discussion of "Brightest Day," "Flash," and DC's new direction.

It’s Time for GEOFF JOHNS PRIME

Want to know more about that Green Lantern animated series or what’s happening with the Flash movie? We know a guy. DC's Chief Creative Officer Geoff Johns is ready for your questions, CBR readers. So whaddya got?

THE BAT SIGNAL: Frazer Irving

Upcoming “Batman and Robin” artist Frazer Irving discusses his favorite takes on Batman from Brian Bolland to Adam West, the challenges of drawing the Dark Knight, and forming a dynamic duo with superstar writer Grant Morrison.

Zip Through Metropolis at Superspeed in DCU ONLINE

Creative Director Jens Andersen gives gamers a behind-the-scenes look at how superspeed will work as a movement and attack feature in the upcoming MMORPG, shipping November 2010.

Checking In On DC Universe Online With Senior Producer Wes Yanagi

With the Electronic Entertainment Expo (E3) happening next week, CBR checked in with “DC Universe Online” Senior Producer Wes Yanagi to get an update on the highly anticipated game.

DC Preview - SECRET SIX #22


Exclusive DC Preview - BOOSTER GOLD #33


BLOGS

Amazing Heroes Wonder Woman cover by Brian Bolland (Amazon Princess)
Brightest Day #3 - Aug. 2010 (The Aquaman Shrine)
Aquaman Sea Sled Catalog Ad - 1973 (The Aquaman Shrine)
Which DC superhero do you think has some ballet experience? (Comics Make Me Happy!)
"The Powerless Power Ring!", from Flash #226 (December 1973) (Diversions of the Groovy Kind)
Friday Favorite: Ragdoll (Girls Gone Geek)
2010 The Martian Manhunter Archives Volume 3 PX Edition Table of Contents by Tom Hartley (The Idol-Head of Diabolu)
Scans: Showcase No. 34, October 1961 (Kingdom Kane)
2010 Indigo Tribesman Ray Palmer Convention Sketch by Chris Giarrusso (Power of the Atom)
Pretty, Fizzy Paradise (Pretty, Fizzy Paradise)
Great Ten! (Slay, Monstrobot of the Deep!!)
Cat Grant And The Toyman (Supergirl Comic Box Commentary)
Back Issue Review: Superman #140 and Bizarro Supergirl (Supergirl Comic Box Commentary)
And Then I Read: WARLORD 12 & 13 (Todd Klein's Blog)

Saturday, June 5, 2010

The Top Ten Steel Covers (John Henry Irons Edition)

John Henry Irons was introduced during the bestselling "Reign of the Supermen" epic. In and of itself, that was enough to make the character just about the most highly visible hero of color in DC Comics history. Unfortunately, he was then written as such-- the good negro Tom Robinson of the lily white Superman Family. Steel was branded with an S-Shield, given his own terrible token series, and was dutifully included in all crossovers for years thereafter. The salvation of the character came in the strength of his original concept as a working class armored hero, his glorious design, and a late term creative team change that redeemed the Steel series with just over a year's worth of compelling stories.

After his series' cancellation, John Henry Irons became a co-star/regular supporting character in Superman: The Man of Steel, which emphasized his engineering genius. Steel's presence was also a highlight of the Morrison/Porter JLA's second half, especially his infamous conversion of the Watchtower headquarters into a virtual armor, prompting the hilarious declaration "I am now wearing this building!" Unfortunately, Irons "retired" as a super-hero around the time The Man of Steel was canceled and the JLA pared down. This left Irons and his one consistent supporting character, precocious niece Natasha, to drift through one title after another.

Attempts to employ the Irons pair in recent years have left much to be desired. Natasha made use of her own Steel armor for a time, then acquired super powers from Lex Luthor, prompting the involvement of John Henry in an inevitable confrontation. The pair were part of the painfully misguided Infinity, Inc. reboot, and Steel once again played substitute Superman during the World of New Krypton hubbub. The essential appeal, and perhaps even a basic understand of the Steel premise, continues to elude writers. The further out the world gets from "Reign of the Superman," the less likely it seems Steel will ever fully come into his own, and I find that a terrible shame.

10) Superman: The Man of Steel #117 (October, 2001)

I was really up-in-arms about the apparent death of Steel, but he returned in the same storyline. However he was briefly burdened with an excessively powerful new armor built by Darkseid out of an Imperiex shell. I think it was called the Entropy Aegis, and I know it totally missed the point of John Henry Irons, but the cover was cool.

9) Steel #41 (August, 1997)

Racially charged much?

8) 52 #8 (June 28,2006)

I love a good propaganda poster!

7) Steel #34 (January, 1997)

After three years of increasingly bad stories and art, DC finally began to treat Steel as more than crossover fodder before the release of his motion picture. Unfortunately, from what I've heard, the movie was about as bad as the comic had been. It's a shame, because DC's premier black super-hero finally began to be shepherded by actual black creators, with writer Christopher Priest turning in probably the best scripts of his distinguished career.

6) Superman: The Man of Steel #26 (October, 1993)

Not recognizing the full implications of the moniker, I declared "Iron John" my favorite of the Supermen, and the most likely to embody the soul of the Man of Steel. If any of the Supermen could stand beside "the real steel deal," it was John Henry. Plus, no one ever drew Steel quite as well as co-creator Jon Bogdanove.

5) Steel #45 (December, 1997)

Into a comics world where it was often up to the colorist to assign race, Steel was undeniably a black man, even when covered head to toe in armor.

4) Steel #23 (January, 1996)

This was such a powerful image that the forgettable story within is doubly disappointing.

3) Steel #3 (April, 1994)

Friggin' awesome perspective! You're going to be eating that hammer if you don't move out of his way.

2) Steel #37 (April, 1997)

This one is quite literally iconic, with most of the image consisting of silhouettes and high contrast head shots. I love how the DC bullet has been turned into another gear in Steel's (or is it Dr. Villain's?) machine.

1) Superman: The Man of Steel #22 (June, 1993)


This one is a bit of a cheat, as there's technically three covers (regular, deluxe exterior, and deluxe interior.) Regardless, they're all cool, and this is the first full Steel story, which made me an instant fan.

Honorable Mentions:
52 #14 What's with all the black male heroes being stripped down to bare chests?
Action Comics #807 (The Natasha bot gets a lovely cover.)
Hardware #17 (Similar concepts with wildly divergent characterizations played off one another.)
Steel #1 (Too static to rate inclusion.)

Friday, June 4, 2010

Superman: The Man of Steel #22 (June, 1993)



"Mr. Johnson," nigh on seven foot of solid muscle, but possessed of an obvious warmth, was entertaining a group of neighborhood boys on a Metropolis basketball court. Though dressed for game, Johnson was in storyteller mode, reciting the legend of John Henry. Afterward, Zoid talked about how he couldn't see the big deal about a guy working himself to death. His friend Keith explained "He went up against somethin' everybody knew couldn't be beat... an' beat it all the same! He's cool! Sorta like Superman!" Zoid figured Keith was just sold on the "production values" of Mr. Johnson's "Darth Vader" voice. It was the last thing he would say, as Zoid's young frame was devastated in a drive-by as gangbangers let rip with a high tech rifle.

Mr. Johnson bolted to guard the other boys from harm, carrying them to safety. No one else was harmed, but the kids were horrified by Zoid's smoldering skeleton. Johnson chased after the hoods on foot, cutting across an empty lot and leaping at their speeding sedan. Johnson wrapped his arms around the rifle that had been thrust out of the passenger window, warping it with his awesome strength. However, the driver rammed against a brick wall, leaving Johnson bleeding in an alleyway.



Later, Johnson was visited at the hospital by Keith and his mother, Myra (all gussied up for the occasion.) Keith wished Superman was still alive to deal with Zoid's killers, and Johnson told him the tale of how he had once met the Man of Steel. Working on a skyscraper and feeling low from past mistakes, Johnson was startled to see one of his fellows fall off a girder. Johnson grabbed a cable and swung out in time for the save, but the hook holding Johnson's line gave. Free falling from a deadly height, Johnson's sordid past flashed before his eyes... though it was not at an end, thanks to Superman's midair intervention. Johnson told the Kryptonian "I owe you my life," to which the hero replied, "Then make it count for something." Not long after, Superman was engaged in mortal combat with the otherworldly juggernaut Doomsday for the fate of Metropolis. Johnson tried to help, but ended up buried in rubble for his trouble. "I must've been a little out of my head, 'cause I clawed my way out, still thinking I had to stop Doomsday."

Released from the hospital, Johnson was troubled by his promise to Superman, Zoid's unsolved murder, and the specific instrument of death. Johnson stopped to chat with Rosie, the neighborhood fortune teller, before unlocking the basement below her building. There, Johnson began forging a suit of armor. "John Henry fought the machine and won. What I'm fightin' is a deadlier kind of machine-- one I helped put in motion. One I'm gonna stop... even if it kills me."



Meanwhile, the thugs behind Zoid's killing had followed Johnson home, and tossed a Molotov cocktail through the basement window. The old building lit up like a tinder box when the bottle struck an oil reservoir, and Rosie screamed for her life. Johnson donned his blue-gray armor, emblazoned with a Superman shield and flowing red cape. Impractical maybe, but when a sledgehammer pounded through Rosie's door, the ensemble made an impression. "The Man of Steel is coming through!" Rosie was carried to safety, and at first seemed to have tweaked to her savior's dual identity. However, as she later explained to reporters, what she actually thought she recognized was the soul of Superman having taken up residence in a newly available body. "Have you ever heard of a walk-in spirit?" Among the reporters was Lois Lane, who would find solace with her friend Jeb Friedman at this latest claimant to the resurrection of the man she loved.

Pa Kent was laid up when the news hit the television, and it set his battered heart racing. Alexander Luthor watched the reports with a very personal interest as well, dispatching investigators to follow-up on Rosie's claims. Luthor was also interested in Henry Johnson, and the super-weapons someone had begun circulating on the streets.



The new Man of Steel tracked down the creeps who killed Zoid, and crashed their pad. The leader, Dutch, blasted one of his own in half to get at the hero with his super-weapon. As the Man of Steel worked his way out of a caved in brick wall, still clutching the top half of the hood, he recognized the "Toastmasters... BG-80s... my design." Johnson flashed back to brutal killings in an oil state, U.S. military brass congratulating him on a job well done. While today bald with an earring, "Johnson" in the day wore glasses, a flattop, and a pocket protector on his suit. "Johnson" also remembered the death of his grandfather years earlier, blood having landed on a framed picture of Martin Luther King Jr. "Don't look, John!"

The Man of Steel came back strong, firing rivets from a wrist gauntlet that pinned Dutch against a wall. Questioning began, as Dutch gave up "the White Rabbit" as the supplier of his Toastmaster. Elsewhere, a trampy looking woman with white hair had a Toastmaster in her hands, and used it to assassinate Dutch from afar. The White Rabbit's helpers questioned the logic of not trying to take out the new Superman while she had the chance. "He's potentially more profitable than both of you combined."



Alexander Luthor's forces had only managed to learn the name "White Rabbit" after a day's effort, perhaps based on the number of bolt holes that keep her secure. Luthor would know more...

"Steel" was by Louise Simonson, Jon Bogdanove, and Dennis Janke. This was the first full appearance of John Henry Irons after his cameo debut in Adventures of Superman #500. It's a dynamic read, although the honkies responsible for the book could have maybe pulled back on all the words ending in apostrophes.

More Mock-Up Madness



Direct Currents: Friday, June 4, 2010



Original DC Comics Blue Devil proposal circa 1983

Gary Cohn, co-creator and co-writer of DC’s Blue Devil, was kind enough to send copies of the original pitches used to sell the idea of Blue Devil to DC Comics. For the first time ever, these proposals are being made available here for fans to read! All the artwork displayed in this post comes from these proposals. To my knowledge, some of these drawings have never been seen by the general public before now.

DAYBREAK: Robinson's JLA/JSA Crossover

CBR spoke with James Robinson about the "world-shattering, world-in-peril" story he and Mark Bagley are set to deliver in DC's two biggest team books: "Justice League of America" and "Justice Society of America."

Georges Jeanty Draws "Bruce Wayne"

In an unexpected move, DC Comics has tapped the "Buffy Season 8" artist for the cowboy-themed fourth issue of Grant Morrison's time-traveling Batman epic, replacing Cameron Stewart who's on to other projects.

20 Questions: Palmiotti & Gray on "Jonah Hex"

CBR News spoke with writers Jimmy Palmiotti and Justin Gray about the Jonah Hex original graphic novel, "No Way Back," the character's ongoing series, the forthcoming movie and much more.

Swamp Thing Returns To The DC Universe. And He’s Bringing His Friends


China Miéville’s Swamp Thing Run That Never Was

China Miéville, award winning English sci-fi novelist and socialist politician with repeat Hugo nominations for his novels Perdido Street Station, The Scar, Iron Council and The City & The City was approached by Vertigo to start Swamp Thing afresh. It was canned even before it was announced, to make way for a new DC Universe Swamp Thing title.

Christopher Nolan On Batman And Superman Movies

From the new issue of Empire Magazine, two quotes from director Christopher Nolan.

French Designers Take On DC Comics – Lagerfield To Repetto

Supergirl Panel At The Phoenix Comicon

Batman: The Brave and the Bold The Videogame

Team up and fight alongside Batman and other superheroes using iconic gadgets while fighting against the most notorious villains in the DC Universe. Discover what it's like to be a superhero in Batman: The Brave and the Bold the Videogame!

AICN COMICS chats with SWEET TOOTH's Jeff Lemire


Mark Chiarello talks about Wednesday Comics


5 With the CCO: A Monthly Chat with DC's GEOFF JOHNS

Vaneta Rogers begins a monthly series of chats with writer and DC Entertainment's Chief Creative Officer

Close out your day with a look at some upcoming variant covers


BLOGS
DC Comics vs Asian Americans (Adventures of Comic Book Girl)
Wonder Woman and Supergirl by Barry Kitson with colors by Paul Renaud (Amazon Princess)
DC Superheroes Stickers - 1982 (The Aquaman Shrine)
Argentinian Pepsi Album - 1979 (The Aquaman Shrine)
The Aqua-Cake! (The Aquaman Shrine)
Hawkman Sketch By Andy Kuhn (Being Carter Hall)
After the Blackest Night....? (Comics Make Me Happy!)
Requiem for Damage (The Cool Kids Table)
The Hunted became The Huntress (Diana Prince: Wonder Woman)
An important update on the state of squirrels in the Green Lantern Corps: (Every Day Is Like Wednesday)
Brightest Day Speculation – What’s Going on with the Nuclear Man? (Firestorm Fan)
Hey, Aquaman Does Not Need A New Costume! (Justice League Detroit)
Brightest Day... Oh, You're Being IRONIC! (Siskoid's Blog of Geekery)
2010 "DC Ultra Spread C" by Gilbert Monsanto (The Idol-Head of Diabolu)
The first extra-DC art I've seen of J'Onn J'Onzz in his new Brightest Day get-up, with Firestorm, Hawkman, Deadman, Aquaman and the Flash.